Photographing weddings at the Depot N7, off Caledonian Road

If you’re planning a London wedding and thinking beyond the traditional banquet hall, The Depot N7 is a stunning option for reception celebrations — whether you’ve tied the knot right there or are heading over after a ceremony down the road at Islington Town Hall. It’s one of those versatile, character-rich spaces that’s as photogenic as it is fun to celebrate in.

A hidden gem in North London

Tucked off Caledonian Road in Islington, The Depot is housed in what was once a bus depot — and that industrial history still shapes its feel today. With lofty ceilings, exposed brick, warm earthy tones and big windows that let in plenty of natural light, the interior has a relaxed yet striking vibe. It works beautifully for weddings of all sizes — from more intimate gatherings to parties with up to 280 guests.

As a photographer, the architectural details — from the high, textured walls to the vintage wooden bar that anchors the space — give you an array of natural backdrops without needing too much extra décor. The light inside is generous, making it easier to capture real moments of laughter, champagne pours, and dancing later in the evening.

Courtyard and outdoor moments

One of the things that sets The Depot apart from many other urban venues is its cobbled courtyard. This little outdoor patch feels surprisingly private given the industrial-urban surroundings. In summer it’s perfect for welcome drinks or canapés, and it also makes a lovely backdrop for relaxed couple portraits or group shots with a bit of architectural texture.

Even in cooler months, the courtyard can be a great place to step out with your photographer for a few quiet moments away from the main party — the contrast between inside and outside gives a nice variety of looks in your gallery.

And there’s a great corner shop right opposite (it’s literally called ‘The Corner Shop’, which is where I shot the main pic above!

The industrial neighbourhood

Just outside the venue, the urban streets around Caledonian Road offer another visual layer. You can find gritty brickwork, interesting graffiti, and distinctive London textures that make for great spontaneous environmental portraits. These urban frames are especially effective if you’re doing a quick wander between ceremony and reception or squeezing in some shots while guests are enjoying drinks.

Pairing with Islington Town Hall

For many couples The Depot isn’t the place for their ceremony (many choose Islington Town Hall for its grand municipal rooms) but it’s a top choice for receptions after the legal part of the day. Being only a short journey away, it’s easy to move guests from Town Hall to The Depot without too much travel stress, and the contrast between the classic, formal ceremony space and the relaxed, lively reception venue makes for a rich wedding story in images.

Final thoughts

Whether it’s the architectural details of the interior, the courtyard’s light and texture, or the urban charm of the surrounding streets, The Depot near Caledonian Road offers wedding photographers plenty to work with. It’s a venue that feels both authentically London and effortlessly stylish — the kind of space where you can document real moments without forcing them, and where your couple’s personalities can really shine.

View the full wedding gallery at Islington Town Hall and the Depot here.

Old Marylebone Town Hall weddings - photo ops galore

As a London wedding photographer with lots of experience shooting at the Old Marylebone Town Hall, I’ve spent countless hours in its rooms, corridors and around its steps. I know this iconic London venue inside out, and I know how to create beautiful wedding photos there, whatever the light throws at us.

Why Old Marylebone Town Hall is special for wedding photography

Old Marylebone Town Hall is a favourite for London civil weddings because it has a mix of grand architecture, classic interiors and a brilliant location in central London. For couples wanting elegant, timeless photos in a city setting, it’s hard to beat.

Inside the building: mastering the light

One of the rooms people most often book is the Westminster Room. It’s a grand and stunning space, full of character and history. The high ceilings and period details create a dramatic backdrop for your ceremony and portraits.

But here’s something every wedding photographer learns quickly: the Westminster Room rarely gets direct sunlight. Even on the brightest days it stays relatively dark, because the windows don’t catch strong light. That can be tricky, especially during key moments like your vows and first kiss, or when you’re standing in front of the big window. In those moments you’re often beautifully framed by the architecture, but the light is coming from behind you, which can lead to couple backlit by the window.

I’ve shot dozens of weddings at Old Marylebone Town Hall, including hundreds of moments in the Westminster Room, so I know exactly how to work with its light. I use a mix of natural light and subtle off-camera flash when needed, I position couples to make the most of available light, and I’m ready to adjust on the fly so you get flattering, timeless photos—no blown-out windows or deep shadows.

Other rooms and their light

Old Marylebone Town Hall has a number of other spaces, each with its own character and light. I pay attention to where the best light is in each room, and I know the little tricks that help make portraits look great without feeling posed. Whether it’s the ceremony room, signing room or a quieter corner for a few intimate portraits, I’ve shot weddings in every corner of this venue.

Outside Old Marylebone Town Hall: architecture and atmosphere

Once we step outside the building there are great photo opportunities right on the doorstep.

• The grand pillars and steps at the front of the Town Hall are perfect for classic, architectural portraits of you as a couple. They give a sense of place and scale, and always look striking in photos.

• Just behind the Town Hall you’ll find cobbled mews streets, which are a favourite location for relaxed, editorial-style portraits. The texture of the cobbles, the soft walls and the London character make images feel timeless and a little more playful.

• When time allows and couples want to make time for it, we can also head to Regent’s Park for more photos. The park is just minutes away and gives a beautiful contrast to the urban backdrop with open green spaces, gardens and classic London park atmosphere.

Experience makes a difference

Because I’ve photographed so many weddings at Old Marylebone Town Hall, I know how to plan your photography timeline so we don’t feel rushed. I know where the light will be at different times of day, I know which spots make the best backdrops for portraits, and I know how to help you relax and feel comfortable in front of the camera.

If you’re planning a wedding at Old Marylebone Town Hall and want a photographer who’s genuinely experienced with this venue, get in touch. I love photographing weddings there, and I’d be excited to talk about your plans and how we can capture your day in a way that feels true to you.

Ready to talk about your Old Marylebone Town Hall wedding photography? Drop me a message and let’s chat about your date, your plans and how we’ll make beautiful photos together.

Islington Town Hall - 100 weddings and counting!

Islington Town Hall is the place I’ve photographed more weddings than anywhere else. Well over 100 at this point.

And honestly, I still love shooting there.

It’s a brilliant wedding venue - busy, lively, and full of character. The staff are genuinely lovely, the atmosphere in the building is always buzzy, and it’s one of the most photogenic town halls in London.

why Islington Town Hall works so well for wedding photos

The building just works for photography. There’s constant movement, great light in the right places, and a sense that something is always happening.

Because I’ve been there so many times, I know every room and space inside the building. I know where the light falls at different times of day, where to do the couple portraits quickly and efficiently.

That familiarity means things stay relaxed. No wandering around looking for spots. No guesswork.

Stepping outside - upper street and beyond

One of the big advantages of getting married at Islington Town Hall is what’s right outside the doors.

Upper Street gives you urban grandeur and energy straight away, and within a short walk there are loads of great options depending on the feel you want:

• Camden Passage for something a bit quieter and more intimate

• Highbury Fields if you want space and greenery

• Regent’s Canal for a relaxed, slightly off-beat feel

• Screen on the Green for something iconic and very Islington

• the grand back streets around the town hall with their town houses and iconic, grand London-ness.

Because I know the area so well, I can suggest places quickly and work around crowds, weather and timing without it becoming a big production.

A very Islington kind of wedding day

Weddings at Islington Town Hall tend to feel lively, personal and unforced. Friends spilling out onto Upper Street. Drinks nearby. People hugging on the steps. It all lends itself really well to natural, observational photography.

That’s what I focus on - capturing the energy, the small interactions, and the feeling of the day, rather than turning it into a photoshoot.

Thinking of getting married at Islington Town Hall?

If you’re getting married at Islington Town Hall, I’d love to hear from you.

Take a look at my Islington Town Hall wedding portfolio, to see full galleries of some of the 100+ weddings I’ve photographed there.

Queen's House, Greenwich - an elegant wedding venue

Wedding at Queen’s House, Greenwich (@rmgvenues)



I loved shooting a wedding at Queen’s House in Greenwich. It’s a genuinely grand and elegant venue - a 17th century former royal residence with a calm, understated atmosphere that immediately elevates a wedding day. The building is full of natural light, with large, airy rooms, high ceilings and a real sense of history that comes through in the photographs. Nothing feels overdone or flashy. It’s classic, restrained and quietly impressive.

Queen’s House is licensed for wedding ceremonies and can host up to 120 guests, making it ideal for medium to larger London weddings. One of its real strengths is how well the day can flow. The ceremony rooms, reception spaces and outdoor areas all sit together naturally, so guests aren’t being constantly moved around or rushed. That makes the whole day feel more relaxed and gives couples more time to actually enjoy it.

The surrounding grounds in Greenwich are a huge bonus. The colonnades, lawns and river views offer plenty of options for couple portraits without having to leave the venue, while still feeling varied and spacious. From a photography point of view, it’s a dream - strong architectural lines, soft window light, and space to work without interrupting the day.

If you’re planning a 2026 or 2027 wedding and are looking for a London wedding venue that feels elegant, timeless and calm, Queen’s House is well worth considering. It’s a venue that suits couples who want something beautiful and historic without it feeling stiff or formal.

If you’re looking for a London wedding photographer to document your Queen’s House wedding in a natural, unposed, documentary style, I’d love to hear from you. I focus on capturing the day as it unfolds, letting venues like this speak for themselves.

A simple guide to wedding photography timelines

Wedding at Hackney Town Hall, wedding reception at the Elgin - Maida Vale.

One of the biggest worries couples have is this: "Are we going to spend our whole wedding being pulled away for photos?"

Short answer, definitely not. Apart from the group photos (about 15 minutes) and the couple portrait session (another 15 minutes), the rest is all observational.

This guide is a realistic look at how wedding photography fits into the day without turning it into a military operation.

First things first: your wedding is not a photoshoot

Your wedding day is about actually being there. Seeing people you love. Eating, drinking, laughing, dancing.

Photography should sit quietly alongside that.

Morning prep (optional, but lovely if it fits)

If you want getting-ready photos, I usually arrive about 1-1.5 hours before you leave for the ceremony.

This is plenty of time to capture:

• the atmosphere in the room

• details without forcing them

• nerves, laughter, and the moments in between

I’m not there to stage anything or tell people where to stand. I settle in quietly and document what’s already happening. If the morning feels rushed, we shorten this bit or skip it entirely.

The ceremony (hands off, as it should be)

This part needs very little planning from you.

I arrive early, check the light, and work unobtrusively. I won’t interrupt, I won’t direct, and I won’t turn it into a performance. My job here is to capture the real moments - reactions, emotion, and the bits you don’t see.

Group photos (15 minutes, not 45)

This is the bit people dread. It really doesn’t need to be painful.

I recommend:

• deciding your group list in advance

• keeping it to immediate family and key people

• doing it right after the ceremony if possible

I stage manage this calmly and clearly, and it usually takes about 15 minutes. I organise people, give simple direction, and keep things moving so you can get back to your guests.

Couple portraits (also about 15 minutes)

You do not need to disappear for an hour.

I usually take couples for a short walk, find good light, and let things happen naturally. No stiff posing, no performing. Just the two of you having a breather together.

About 15 minutes is all we need to get a set of relaxed, natural portraits that actually feel like you.

Drinks, mingling and real moments

This is where the day really opens up.

While you’re talking, hugging, laughing and drinking, I’m moving quietly around the space capturing:

• interactions

• reactions

• atmosphere

• small moments you’ll never remember happening

There’s no timeline pressure here. This is exactly how weddings should feel.

Food and speeches

If possible, build in a bit of space before and after speeches. It helps everything feel calmer and gives me time to capture reactions properly without rushing.

I’ll photograph speeches unobtrusively, focusing on people, not just the person talking.

Evening and dancing (energy without chaos)

Once the light drops, I use flash when it helps keep things looking clean and consistent - especially on the dance floor. It’s never harsh or distracting. It’s there to capture the energy properly.

I’m in the mix, but not taking over. The aim is photos that feel alive, not staged.

A simple example timeline

This is just a guide - every wedding day is different.

• 11:30 Photographer arrives (prep)

• 13:00 Leave for ceremony

• 13:30 Couple meet registrar, I photograph venue and guests arriving

• 14:00 Ceremony

• 14:30 Group photos (15 mins)

• 14:50 Couple portraits (15 mins)

• 15:15 Drinks, mingling, candids

• 16:30 Wedding breakfast

• 18:30 Speeches

• 19:00 Cutting cake

• 19.15 First dance

The most important thing to remember

If you’re constantly checking the time or being pulled away, something’s wrong. My approach is calm, organised and flexible. I keep things moving where needed, then disappear into the background when it matters most.

If you want photos that feel natural and editorial, and a timeline that protects your experience rather than controls it, that’s exactly how I work.

How I securely take care of your wedding photos

When you book a wedding photographer, you're trusting them with something that can’t be repeated. Moments that happen once, people all in one place, and a day that moves fast. So beyond how your photos look, it really matters how carefully they’re looked after.

This post explains, in plain English, what I do to make sure your wedding photos are kept safe at every stage - from the moment I press the shutter to long after I get home.

Three cameras, not one

As a professional London wedding photographer, I bring three professional camera bodies to every wedding.

I mainly shoot on two cameras throughout the day, with a third ready to go if needed. Cameras are very reliable, and I’ve never had one fail at a wedding (this has never happened, but it could) - but equipment is still equipment, and things can go wrong.

Having three cameras means I’m never relying on a single body, or even just one backup. If one camera were to malfunction, I can switch instantly and keep shooting without missing anything.

Dual card slots - every photo saved twice

Every camera I use has dual card slots. That means every single photo is written to two memory cards at the same time.

If one card were to become corrupted (this has never happened, but it could), there is already a complete copy on the second card. This isn’t a backup done later - it happens in real time as I’m shooting.

So from the moment your photos are taken, they already exist in two places.

Separating the cards before i leave

At the end of the wedding, before I leave the venue, I remove the backup cards from my cameras.

Those cards go straight into a card wallet, which I keep safely in my breast pocket. The primary cards stay in the cameras, inside my camera bag.

This means your images are physically separated. Even in a worst‑case scenario - like my camera bag being lost or stolen (this has never happened, but it could) - your photos are still with me and protected.

Backing everything up as soon as i get home

When I get home, it doesn’t matter how late it is. Your images are transferred straight away.

I copy the photos to:

• my main working hard drive

• a separate backup hard drive

• a secure cloud server

Why this matters

Most couples never ask about this stuff, and that’s completely understandable. You shouldn’t have to worry about it.

But I think part of being a professional wedding photographer is quietly taking responsibility for the things you never see. Redundancy, backups, and systems that are in place just in case.

Your wedding photos matter. They’re not just files - they’re memories, family history, and moments you’ll come back to for decades. I treat them that way from start to finish.

Photographing weddings at Clapton Country Club

Photographing Jess and Sam’s wedding was such a joy. They tied the knot at Hackney Town Hall, a place I shoot regularly and absolutely love for its character-filled interiors and energetic vibes. There’s something about the hustle and historic civic architecture that always makes for memorable ceremony photography — whether it’s candid laughing guests in the Council Chamber or joyful confetti exits just outside.

After the ceremony, we made our way to one of my favourite London wedding reception venues: Clapton Country Club in East London.

This is not your typical wedding space. It’s a converted tram depot in the heart of East London with exposed brick, industrial beams, rich textures, and a creative, lived-in feel that suits candid, reportage wedding photography perfectly. The vibe here blends urban grit with warm, intimate moments — it’s a venue that really lets your day unfold naturally and beautifully without feeling staged.

From the moment Jess and Sam arrived, the space just worked for storytelling. The reclaimed wood, hanging greenery, and ambient lighting created layers and depth in photos.

Jess and Sam’s guests filled the space with energy, and the industrial charm of the venue just amplified it. Dancefloor shots, late-night laughs, and the sparkle of celebration — these are the moments that make a wedding at this incredible East London venue such a treat to photograph.

View the full gallery of Jess and Sam’s wedding at Hackney Town Hall and Clapton Country Club here.

Privacy of your wedding photos

Like most wedding photographers, I put wedding galleries on my website.

Not just a handful of hero shots - full galleries. Every image the couple received.

So that other couples who are looking for a wedding photographer can see the overall quality of my images across a day, not just some highlight 'hero' shots.

But if a couple asks me not to share their photos, I don’t. No public gallery. No blog posts. No Instagram posts. No sneaky “just one”. Their gallery stays password protected and private.

Because it’s not content. It’s your wedding.

Your day. Your photos. Your rules.

John Lennon & Yoko Ono inspired wedding photograph

I’ve always loved the cover of the Plastic Ono Band’s first album. John and Yoko under a tree. No props, no fuss, no performance. Just two people, a bit of negative space, and a feeling that what you’re looking at is honest. It’s one of those images that feels completely natural and completely intentional at the same time. I’ve carried it around in my head for years without really thinking about it.

I shot this photo (not the John and Yoko one, the second one) at a wedding at the Foundling Museum in London (@foundlingmuseumevents). During the couple portrait shoot, we slipped out to Brunswick Square Gardens, which sits just across the road. It was autumn, the light was soft and diffuse, and the oak trees were doing that thing they do when the season starts to turn. Everything slowed down a bit.

As soon as we walked under the trees, the album cover popped into my mind. Not in a forced way, more like a nudge. The composition, the spacing, the way the branches framed the couple. I showed them the image on my phone and asked if they’d be up for loosely recreating it. No pressure, no exact copy, just the spirit of it. They were into it, which always helps.

What I like about moments like this is that they don’t feel staged, even though there’s an idea behind them. The couple weren’t acting or posing in any dramatic way. They were just standing together, comfortable, present, and connected. My job was mostly to notice it and get out of the way.

Sometimes one good image you’ve lived with for years shapes how you see the world without you realising it. It sits there in the background, and then one day, the light, the place and the people line up, and it quietly finds its way back out through the camera.

London wedding photography prices explainer

Wedding photography prices can feel confusing, frustrating, and sometimes completely disconnected from reality.

You’ll see photographers charging £2,000, £3,000, even £5,000 for a single day. And naturally, couples ask: what am I actually paying for?

This post is a clear, honest breakdown of what goes into wedding photography costs - and why my prices are less than half what many other professional wedding photographers charge. Not because I’m half as good. But because I think large parts of the wedding industry are overpriced.

What you are actually paying a wedding photographer for (apart from the obvious)

Let’s break it down properly.

1. The wedding day

On the day, I’m typically working 8 to 10 hours. I’m focused, switched on, managing light, moments, people, and energy constantly. It’s not casual work.

This part matters, but it’s only one slice of the job.

2. Prep and planning

Before the wedding, there are emails, calls, timelines, logistics, and planning. I don’t outsource this. You’re dealing with me directly, from first contact to final delivery.

3. Equipment (and backups)

I shoot with professional cameras, lenses, lighting, and backup gear. This equipment is expensive to buy, insure, maintain, and replace. There are no shortcuts here if you want reliable results.

4. Post-production (this is the big one)

After the wedding, I spend many hours:

• culling thousands of images

• editing for colour, consistency, and tone

• exporting, backing up, and delivering your gallery

This is skilled, time-consuming work. It’s where a huge amount of the final look comes from.

5. Business costs

Like any self-employed photographer, there are ongoing costs:

• insurance

• software

• website and gallery hosting

• admin and accounting

• unpaid time running the business

6. So why are some wedding photographers prices so high?

Here’s the honest bit.

Many photographers price high because the wedding market allows it. There’s an assumption that weddings equal big budgets, and prices have risen to match that perception - not always the actual workload.

High price does not automatically mean higher quality, more care, or a better experience. Sometimes it just means the market will bear it.

That doesn’t sit right with me.

7. Why I charge less than half the "industry standard" wedding photographer

My pricing is based on something simple: covering my costs, paying myself fairly for my time, and keeping things accessible.

When you break it down, my work comes out at roughly a £250 day rate once the wedding day and all post-production are factored in.

I’m not racing to build a luxury brand or squeeze every possible pound out of a couple because it’s their wedding. I’d rather do great work, be calm and present on the day, and charge a price that actually feels reasonable.

8. Does cheaper wedding photography mean cutting corners?

Not necessarily, and certainly not in my case! You still get:

• a calm, experienced London wedding photographer

• a natural, editorial, documentary approach

• careful editing and consistent delivery

• reliability, backups, and professionalism

• someone who won’t add stress to your day

What you’re not paying for is inflated margins, luxury positioning, or artificial scarcity (there are a lot of wedding photographers who claim that they will shoot a max of say 10 or 20 photos a year, so that they can give you the best service. Sounds great, but in effect, you’re paying them an inflated price so that they don’t have to shoot more weddings!)

Wedding photography should be valued. It’s skilled work and it deserves to be paid properly. But it doesn’t need to be exploitative.

My prices reflect the real work involved, not the idea that weddings are a blank cheque. If you want honest pricing, strong work, and a photographer who treats your wedding like a human event rather than a luxury product, that’s exactly how I operate.

I’m very transparent about my pricing. You’ll find everything clearly laid out on my wedding photography pricing and packages page.

My approach to your day as a wedding photographer

If you’ve booked me as your wedding photographer, or you’re thinking about it, here’s exactly what you can expect from me on your wedding day. I’m a London wedding photographer who works in a natural, editorial, unposed way – calm, observant and focused on capturing the day as it actually felt. No awkward staging, no over-the-top direction, and no adding stress.

A calm, grounding start to the day

If you want, I’ll arrive during the getting-ready part of the morning and settle into the room quietly. I’m there to document the atmosphere – the details, the nerves and the laughter – without taking over. You’ll barely notice me, but I’ll be capturing everything that sets the tone for the rest of the day.

Natural direction when it actually helps

I’m not a bossy photographer. I won't be shouting at your guests! But I will stage manage and coordinate the group shots so that we can get them done efficiently and stress-free within about 15 minutes.

Someone who catches the real moments

Throughout the day I’m watching for the things you might miss: reactions, emotion, hugs, glances, and all the fun. My style is observational, so the final gallery feels like an honest, warm document of your wedding – not something manufactured.

flash when it adds to the story

I do use flash when it helps keep the look consistent – especially in low light, evening spaces or on the dance floor. It’s never harsh or distracting. It’s a tool I use carefully to make sure your photos look clean and vibrant.

Group photos done Quickly and efficiently

Group photos do not need to take forever. I run this part calmly and efficiently, and it usually takes about 15 minutes. I’ll organise people, give clear direction, and keep everything moving so you’re not standing around endlessly.

Relaxed portraits in just 15 minutes

Couple photos are quick, natural and easy. About 15 minutes is all we need to get a set you’ll love. No stiff posing. No disappearing for an hour. Just the two of you having a short breather, walking, talking, and letting the moments happen.

Blending in during the reception

Whether it’s a London pub, an East London hipster warehouse, or a garden, I adapt quickly to whatever’s happening. You’ll see me moving quietly around the room, capturing the speeches, reactions, details and atmosphere without interrupting anything.

Evening coverage with energy

Once the dance floor starts, I’m right in the mix – using a combination of flash and ambient light to capture the energy, movement and messiness of a proper party. You’ll get photos that feel alive, not stiff.

Above all: calm, organised and consistent

Couples book me for my photos, but they recommend me for the experience. Check out my 200+ five-star Google Reviews! I’m calm, unobtrusive, organised and focused on making the day feel easier, not more complicated. I’m there to support you, keep things moving smoothly and document the day honestly.

If you want photos that feel natural, editorial and genuinely "you", and a photographer who works quietly in the background while keeping things running smoothly, that’s exactly what I bring.

Tags: london wedding photographer, wedding photographer

Unposed wedding photography (with a bit of posing)

If you’re searching for a London wedding photographer because you want natural, unposed photos — you’re in the right place.

Most of what I do on a wedding day is exactly that: observational, documentary-style photography that captures real moments as they unfold. I stay in the background, I don’t interrupt, and I don’t direct. The result? Honest, emotional images that actually feel like your wedding — not a photoshoot.

But here's the thing. During your couple portrait session, I do sometimes give you a bit of gentle posing guidance. And I promise — you’ll thank me for it later.

“We don’t want to pose for photos…”

Almost every couple who books me says the same thing:
“We don’t want to do loads of awkward posed shots.”

I hear you. And I agree — forced poses and cringy smiles aren’t my thing either.

But the truth is, when there’s a camera pointed at you, it’s totally normal to feel a bit unsure of what to do with your hands, where to look, or how close to stand. That’s where I come in — with a little help, not heavy direction.

Gentle guidance that helps you feel comfortable

During the couple portrait session, I might suggest things like:

• A way for you to stand that flatters you both

• How to hold each other in a way that looks natural

• A spot with better light or background

• Something small and silly to get you laughing

These aren’t stiff poses. Think of it more like a nudge in the right direction. You’ll never be asked to do anything cheesy or uncomfortable — and if I do suggest something that’s not your vibe, you can just say “Nah, not for us.”

And that’s completely fine.

“That was actually fun!”

Most couples come out of the portrait session surprised and say “That wasn’t as bad as I thought it’d be!” I’ll take that.

Some even enjoy it! It’s a quiet moment for the two of you to catch your breath, away from the crowd — and it results in a few relaxed, beautiful shots of just the two of you.

So yes — most of your day is unposed

From getting ready to the dancefloor, I’m capturing your day exactly as it happens. The portrait session is just a small part of the day, and even then, it’s still very natural, relaxed and low-key.

Let me gently guide you through it, and you’ll come away with a few timeless portraits that you’ll actually want to frame — no fake smiles required.

Looking for a London wedding photographer who gets it?

If you want mostly unposed, honest, editorial-style photography — but you’re open to a bit of help when you need it — I’d love to hear from you.

The tricky art of photographing wedding speeches

For a wedding photographer, the speeches are often one of the most challenging parts of the day to make visually interesting. On the surface, it’s just a group of people standing up and talking. There’s no movement, no change of scene, and usually very little control over where people stand or how they hold themselves. But within those limits, there are still moments worth paying attention to.

Laughter is the obvious one. So is the toast. I always make a point of getting a frame of the toast because it neatly sums up what the speeches are about - connection, celebration, a shared pause before the glass is raised. When I’m positioning myself for that moment, I’m thinking about layers and sightlines. Where are the hands going to be? Is the glass going to cut across someone’s face? Can I line things up so the gesture adds something rather than distracts?

In this case, the speaker raised his champagne flute to a position I wasn’t expecting. Instead of sitting neatly to one side, it obscured his face almost entirely. There was no time to wait it out, because these moments last seconds at most. So I shifted my position just slightly, enough so that the stem of the glass ran straight between his eyes.

That tiny adjustment changed everything. The image suddenly had symmetry and balance, and the interruption of the glass became the point of the photograph rather than a problem to avoid. It’s a bit kooky, slightly unexpected, and very human.

This is the kind of thing I’m always looking for during speeches. Not just who’s talking, but how people are reacting, how objects move through the frame, and how small changes in position can turn a potentially awkward moment into something playful and memorable. Speeches might look static, but if you stay alert, they’re full of these fleeting visual opportunities.

Vintage/retro style wedding photography for modern couples

A skilled professional wedding photographer creates ‘instant nostalgia’. And for brides, grooms and photographers born in the 70s-90s, there’s nothing more nostalgic than faded photos with rich yet washed out colours.

You’ll maybe also notice a bit of Wes Anderson form and symmetry in this and many other photographs across my wedding photography portfolio. That’s deliberate! Read about my wedding photography visual aesthetic. But in short, especially for couples who freeze in front of the camera, I suggest simple poses like this. It looks like a classic editorial wedding photograph, but is just so easy for any couple to do - no matter how camera shy they are.

But the editorial and retro style isn’t just about how I pose couples. It’s also about the filter I apply to your wedding photographs. I offer clients a wide range of finishes on their images, from black and white to vintage, retro, 70s, Polaroid style images.

Quirky London wedding photography backdrops

The best wedding photographs are almost always unplanned and spontaneous. They happen in the gaps - the moments between the “important” bits - when everyone relaxes and the day feels real. This photo was taken literally five minutes before I was due to leave this wedding. No planning, no schedule, no big setup.

I always like to get a quick parting shot with couples if time allows. As we stepped out of the Round Chapel on Lower Clapton Road in Hackney, I spotted a late-night laundrette with its door still open. The light was great, the setting was unexpected, and it felt very London. We popped in, and within two or three minutes we’d taken a handful of photos. They’re slightly posed, but relaxed, playful, and very much “them”. Those images ended up being the couple’s favourite photographs from the entire wedding day.

That moment sums up how I work as a London wedding photographer. My approach is rooted in documentary wedding photography - natural, observational, and unposed. I’m there to quietly record what actually happens, rather than directing or staging the day. Around 95% of every wedding I photograph is completely unposed: people arriving, hugging, laughing, drinking, dancing, and being themselves.

That said, I’m not anti-posing. Group photos and couple portraits do need a bit of gentle direction, otherwise they quickly become awkward or stressful. I keep these parts short, calm, and informal, so they don’t take over the day. Sometimes, like with this laundrette photo near the Round Chapel, a lightly posed moment can still feel spontaneous and genuine.

There’s a wry humour and visual quirkiness to my work that’s often compared to Martin Parr or Wes Anderson - not in a stylised or forced way, but in noticing the odd, funny, very human details that make weddings unique. Especially in London, with its streets, venues, and late-night corners, those moments are always there if you’re paying attention.

That’s what I’m always looking for: honest wedding photography that feels natural, personal, and quietly memorable.